Thursday 8 November 2012

About Mysore palace

architectural style of Mysore palace is hybrid. That is, its design is a mixture of various schools of architecture. The palace is made in a style collectively called Indo-Saracenic Revival style.
The Islamic power in India by the turn of 12th century has a brought a new style of architecture ( largely central Asian style ) to India.
A large number of Islamic structures in India during the Mugal era were build in the Sassanian ( Persia ) style. So the name Saracenic.
That style when merged with the native Indian styles , gave rise to a hybrid style called Indo-Islamic style or Indo-Saracenic style.
Elements of Hindu styles and Islamic styles merged to form unique school. One good example of this style is the Akbar’s abandoned capital Fatehpur Sikri in Uttar Pradesh.
Many centuries later – by the turn of 19th century – India came under the colonial powers. That brought rise to a further new hybrid style called Indo-Saracenic Revival style. Here the Indo-Islamic style is further blended with the Gothic style (,that was the flavor of Victorian rulers) .
Mysore Palace is made in this later style. In other words , one can see the elements of Hindu, Islamic and Gothic elements in its design and construction.
The domes for example is an element borrowed from the Islamic school of architecture. There are many deep pink marble domes projecting at the corners of the palace structure.
To easily understand the hybrid style, take a look at the tallest tower of the palace. This is a five storied tower measuring about 145 feet (45 meters) at the center of the palace.
This projects up from the rest of the roof-line of the palace like a tower of a Gothic cathedral. However on top of it is a large dome, a very typical feature of Islamic/Persian style structures. However it is metal gilded.
Further on top of this dome is a domed Chhatri. That is, a smaller dome supported by slender pillars projecting up from the large dome.
Domed Chhatri is a typical Rajput ( Rajastan ) architectural feature.
You can spot two more such domed Chhatris at the top on either side of the central arch of the facade. Between these two domed Chhatris and above the central arch is a sculpture of goddess Gajalakshmi. This is a common feature in Hindu architecture as the goddess Gajalakshmi is considered of wealth, prosperity and abundance.

Mysore Palace or the Mysore Maharaja Palace is located in the heart of the city. Mysore Palace is one of the most visited monuments in India. And its one of the largest palaces in the country, also known as Amba Vilas Palace, was the residence of the Wodeyar Maharaja's of the Mysore state.  Illuminated Mysore PalaceThe original palace built of wood, got burnt down in 1897, during the wedding of Jayalakshammanni, the eldest daughter of Chamaraja Wodeyar and was rebuilt in 1912 at the cost of Rs. 42 lakhs. The present Palace built in Indo-Saracenic style and blends together Hindu, Muslim, Rajput, and Gothic styles of architecture. It is a three-storied stone structure, with marble domes and a 145 ft five-storied tower. Above the central arch is an impressive sculpture of Gajalakshmi, the goddess of wealth, prosperity, good luck, and abundance with her elephants. The palace is surrounded by a large garden. Designed by the well-known British architect, Henry Irwin, the palace is a treasure house of exquisite carvings and works of art from all over the world.  Mysore Palace is priceless national treasure and the pride of a kingdom, the Mysore Maharaja Palace is the seat of the famed Wodeyar Maharaja's of Mysore. The palace is now converted into a museum that treasures souvenirs, paintings, jewelery, royal costumes and other items, which were once possessed by the Wodeyars. It's a Kaleidoscope of stained glass & mirrors. The tastefully decorated and intricately carved doors open into luxuriously decorated rooms. The ground floor with an enclosed courtyard displays costumes, musical instruments, children toys and numerous portraits. The upper floor has a small collection of weapons. The beautifully carved mahogany ceilings, solid silver doors, white marble floors and superb columned Durbar Hall are a fest to the eyes. The palace is a treasure house of exquisite carvings and works of art from all over the world. Exquisitely carved doors open into stunningly luxurious rooms.  Mysore Maharaja PalaceThe front of the Amba Vilas Palace has an open balcony supported by massive circular columns. The Royal portrait gallery, which is of historical importance, is a visual treat to the visitors. This three-storied structure has beautifully designed square towers at various cardinal points covered by domes. Craftsmen from Jaipur and Agra along with local workers were engaged in crafting them. The marriage pavilion or the Kalyana Mantapa with a center octagonal gabled roof, covered by stained glasses, is to the south of the building. The flooring of this magnificent Kalyana Mantapa has artistic geometrical patterns created by using glittering glazed tiles imported from England. The building has gorgeous chandeliers of Czechoslovakian make.  The royal throne, regal seat of the is called the Chinnada Simhasana or Ratna Simahasana with captivating artwork on its gold plates is displayed during the Dasara festival. The Maharajas of Mysore used to sit on the golden throne and hold durbars in the Palace Durbar Hall. The paintings of eight manifestations of Goddess Shakthi (strength) and an original painting of the renowned painter Raja Ravi Verma are also on display.  The palace complex has a selection of twelve Hindu temples. The oldest of these was built in the 14th century, while the most recent was built in 1953.

 Someshvara Temple, dedicated to God Lord Shiva and Lakshmiramana Temple, dedicated to God Lord Vishnu are some of the more famous temples.  The erstwhile Royal family continues to live in a portion of the Palace. Srikantadatta Narasimharaja Wadiyar is the current scion of the Wodeyar Dynasty.

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